Category Archives: Thanet archaeology

News items about Thanet archaeology

VM_365 Day 137 Two Beaker sherds from Lord of the Manor Ramsgate

Two Beaker sherds from Lord of the Manor, Ramsgate.
Two Beaker sherds from Lord of the Manor, Ramsgate.

Toady’s image for VM_365 Day 137 is of two admittedly small, but important pottery sherds of Beaker vessels,  like the  Grooved Ware sherd from Day 136, the two Beaker sherds were found together in the 1976 excavations at Lord of the Manor, Ramsgate.

The sherds are from Phase 2 of the development of the Lord of the Manor 1 monument, a period of Early Bronze Age activity associated with the re-use of the earliest ring ditched enclosure as a burial site. In this phase a burial was placed within a smaller ring-ditch that was cut inside the circuit of the earlier large causewayed enclosure ditch, to create a round barrow.

The smaller sherd on the left of the image is decorated with a cord impression, which would have extended over the whole body of the vessel. The second sherd on the right is decorated with a pattern in zones, created with impressions from the teeth of a comb.

The first cord impressed style is the earliest, dating between c.2300-200 BC. The second comb decorated sherd is marginally later, around 2100-1900 BC. Both sherds are made of an identical fine oxidised fabric, with a fine silty fabric matrix and fine crushed pot grog tempering. Both have a similar neat, finely executed  decoration and so can reasonably be thought of as contemporary vessels.

Both sherds were found in a small pit, located  outside the ditch enclosing the central burial. The two sherds indicate a date between c.2100-2000 BC for the feature, although this has not yet been confirmed by Carbon14 dating.

Once again today’s VM_365 image and information on the pottery has been provided by ceramic specialist Nigel Macpherson-Grant.

VM_365 Day 136 Ramsgate Late Neolithic Grooved Ware sherd

Late Neolithic Grooved Ware sherd
Late Neolithic Grooved Ware sherd

Today’s Image for VM_365 is of a small scrap of Late Neolithic pottery from 1976 excavation of the ring ditch of one of the ceremonial enclosures at Lord of the Manor, Ramsgate.

The sherd is a rim fragment from a tub-shaped vessel with a small-diameter. The exterior of the rim is decorated with incised grooves, the inner edge of the rim has a distinctive bevel, similar to the rims of other examples of this type of pottery. The typical decoration of the sherd with a pattern of grooves in the surface, provides the name that has been given to this ceramic tradition; Grooved Ware.

Before flat based grooved ware vessels began to manufactured, all Early and Middle Neolithic pottery in this country was made with round bases. Grooved Ware is believed to have been first used in the Orkneys, spreading southward across Britain and seems to represent the only truly ‘homegrown’ tradition in the entire history of British ceramics.

The style of decoration on this sherd, coupled with the beveled rim,  places the sherd into the Durrington Walls style, which was current during the main building phases at Stonehenge and is dated to c.2800-2300 BC

To date the tiny sherd pictured here seems to the best example of Grooved Ware archaeologists have recovered on the Isle of Thanet. Although it is small, the sherd  is a valuable hint that there may be more evidence of this important period of settlement to discover in the future.

The image and information for today’s VM_365 post were kindly provided by a guest curator, ceramic specialist Mr Nigel Macpherson-Grant

In 2007 a group of potters experimented with manufacturing Grooved Ware vessels, follow this link to the Prehistoric Ceramics Research Group website article on the process.

VM_365 Day 132 Roman glass from Minster Villa

Roman window and vessel glass
Roman window and vessel glass

The image for day 132 of VM_365 is a selection of the fine glass fragments that were found in the excavations at the Roman Villa at Minster in Thanet.

No complete vessels were recovered from the site, but the fragments of sheet glass and the small pieces of vessel glass, including body sherds bases and rims, tell us that glass was as common on this site as it was on any other Roman building, where glass is sometimes better represented more completely in the archaeological record.

The glass sherds are in a range of colours, most commonly blues, greens and clear. One rare sherd is made from canes of glass in different colours welded into a muti-coloured pattern on the body of a vessel.

Typically for glass of this period the sherds are hard and clear, demonstrating the Roman’s mastery of glass making and the frequency with which glassware was used on the table and windows were used in their buildings.

Large sheets of glass were difficult to make and the windows in a building like the Minster Villa would have been composite structures with the glass held in place with a metal framework, like the one from the Tivoli Villa which was shown in VM_365 Day 78.

The small sample of glass vessel sherds shown here represent one of the most important pieces of evidence of the Roman way of life in Thanet from the 1st to the 3rd century AD.

VM_365 Day 129 Roman disc brooch from Villa at Minster

Roman disc brooch from Minster in Thanet
Roman disc brooch from Minster in Thanet

The small disc brooch shown here for Day 129 of the VM_365 project was recovered from the plough soil above the site of the Roman Villa at Minster in Thanet in the 1996 excavation season.

The circular brooch has ten small lugs radiating from the outer circumference and has a raised circular bead surrounding an indented central area.

The raised bead creates two fields which were probably originally filled with coloured enamel, although the decoration seems to have worn off over time in the soil conditions.

At the back of the brooch the shaft of the pin in the sprung clasp mechanism which held the brooch on has broken off , but the raised clip that retained the pin and the two lugs to hold the spring mechanism are still attached to the flat back.

VM_365 Day 127 Viking period polished and perforated shale disc

Kimmeridge shale perforated disc, later Saxon or Viking period.
Kimmeridge shale perforated disc, later Saxon or Viking period.

Our image for Day 127 of VM_365 is of this disc of Kimmeridge shale, found at Cliffsend, Ramsgate near the former shore of the Wantsum channel.

Kimmeridge oil shale is easily worked and the black surface of the material could be polished to a glossy sheen, making it attractive throughout history for manufacturing decorative objects and ornaments. In this case the ground conditions in the deposit where the disc was found have caused the surface to become pitted and rough. The disc may have been a personal ornament or been combined with other materials into a decorative or practical object.

The disc was found in a plough truncated ditch and the pottery and rubbish found in association with it suggest it probably dates to the 8th or 9th century, one of the rare finds from this Later Anglo-Saxon or Viking period in Thanet’s archaeological record.

VM_365 Day 123 Decorated bone or ivory pin from Iron Age burial at North Foreland, Broadstairs.

Bone pin with incised decoration from Iron Age Burial, North Foreland Broadstairs.
Bone pin with incised decoration from Iron Age Burial, North Foreland Broadstairs.

For Day 123 of VM_365 we have an image of a small decorated pin that was found in association with the Iron Age woman who was buried in the grain storage pit at North Foreland, Broadstairs.

The blue glass beads that were near the neck of the burial have been shown in a previous post for VM_365, along with the complicated story of the pit’s primary use and of the things that had later been used to fill it.

At first glance the pin, which was also found in close association with the skeleton, appears to be a much simpler object than the exotic glass beads, but it has a more complex story to tell.

The pin is carved from a piece of dense bone, or possibly ivory. The shaft has been carved to taper toward a point, which has unfortunately broken off.  Close examination of the surface of the shaft reveals fine facets along the length. The whole surface of the pin was polished to a smooth sheen.  At one end the pin was  flattened to form a head and on the side shown in the image the head was decorated with three incised lines.

This object could possibly have been a dress fitting or even a hair pin, another indicator that the woman buried had some status and was not simply thrown in the pit with other unwanted debris.

 

VM_365 Day 114. Iron Age Spindle Whorl

VM 114

Today’s image is an Iron Age ceramic spindle whorl found at Ebbsfleet, near Ramsgate in 1990.

Spindle whorls such as these  were used when spinning by hand and placed on a spindle to add weight to help maintain and increase the speed of the spin needed to turn wool into yarn   Spindle whorls, along with other objects associated with cloth making such as loom weights and weaving combs are commonly found on Iron Age sites.

This spindle whorl was found on the surface of a layer interpreted as a hut floor. Other finds associated with the floor included late Iron Age pottery, bone skewers, animal bone and shell.

Reference.

Perkins, D. R. J.  1992. Archaeological Evaluations at Ebbsfleet in the Isle of Thanet. Archaeologia Cantiana CX, 269-311.

VM_365 Day 113. Iron Age Faience Beads from North Foreland, Broadstairs

Two of three faience beads found with an Iron Age burial at North Foreland, Broadstairs
Two of three faience beads found with an Iron Age burial at North Foreland, Broadstairs

Today’s image for VM_365 Day 113 shows two beads made from an early type of glass called faience. These were two of three that were found at the neck of the skeleton of a woman buried in the fill of an old grain storage pit at North Foreland, Broadstairs in the Iron Age. The third bead had decayed so far it could not be recovered.

These beads were probably strung on a necklace, but the cord joining them and any other beads in organic material such as wood have not survived.

Beads like this were made from an uncommon material, based on a manufacturing technique that ultimately originated in Egypt and so are thought to have been items that carried a high prestige in the Iron Age.

The beads with this burial add a layer of detail to the interpretation of whether it was part of a deliberate and formal rite, or whether it was in some way hasty or casual, which the association with an abandoned feature of the nearby settlement seems to suggest.

VM_365 Day 109. Roman Kitchen Round up

VM 109

For Day 109 of VM_365 our image shows a line-up of the images of the reconstructible vessels that were present in the dump of pottery from the Roman Building at Fort House, Broadstairs. Each of the pots, a samian cup, a poppy head Beaker, a flagon, dish, mortarium and two storage jars, one small and one very large , has been shown in earlier posts which have told the story of the Roman site in Broadstairs where they were found and how the vessels were excavated and reconstructed.

The images have been scaled to show the range of sizes in the deposit and you might be able to pick out  some of the individual  vessels that are illustrated in the lower part of the image which shows a photograph of the deposit at the time of the excavation. The pottery assemblage from this deposit (context 1022) was the largest from the excavation site at Fort House, with 841 sherds weighing in at 29.815 kg.

Analysis of the forms and fabrics indicated that at least 25 vessels are represented, these include one flagon, six jars, three bowls, two dishes, four beakers and two storage jars. At least two cups were present and one mortaria. There were three other vessels that could not be identified. One of the finest pots present is a complete cup in Central Gaulish samian fabric (Dr. 33 type).

The fabric of the vessels can tell us something about their manufacturers and the markets that supplied the pottery used on the site. Nearly half of the pottery was made in hand-made ‘Native Coarse Ware’ fabric, fired in high temperature kilns to a hard finish. A quarter of the material was supplied by Roman pottery kilns located along the Thames, which produced vessels in Black Burnished 2 fabric, North Kent Fineware and other greywares. Three of the pots may have been manufactured locally and the samian cup would have been imported.

The flagon and the mortarium that have been reconstructed were products of Roman pottery kilns located in Canterbury. The Mortarium probably came from a kiln that is known to have been close to Dane John mount in Canterbury, or it may be the product of a closely related manufacturer. As one sherd from a jar made in a Canterbury Greyware fabric is the only example of  the products of the kilns of the Canterbury Greyware industry, the range of fabrics represented indicates that the date of the whole group of vessels is later than 175 AD.

The freshly broken condition of most of the vessels that were represented in this assemblage suggests that they were dumped, in one action, immediately after breakage around AD 200, or soon afterwards. The characteristics of the breaks in the pots, which often emanate from a single point where a piece is missing, suggest they might have been deliberately smashed, perhaps with a sharp object.

These vessels can reveal a fascinating snapshot of a moment in time when Broadstairs was part of the Roman world, but we will never really know the full story of what happened to create the pottery dump which has generated such a valuable trail of evidence.

 

 

 

 

VM_365 Day 107 Where have all the fragments gone?

Large Roman jar undergoing reconstruction.
From the ground to gluing tray, large Roman jar undergoing reconstruction.

In the image for VM_365 Day 107, we have one of the last of the vessels from the Roman kitchen at Broadstairs that can be reconstructed. The large jar is shown in the ground during excavation and on the right in the sand tray we use to hold the sherds in place while they are glued together. All of the vessels from the same site shown in the previous VM_365 posts over the last few days have been through this method of reconstruction.

First each sherd must be recovered, located and fitted together in a dry run, to see what order they need to be glued in. The process of sticking the sherds together must be carried out very precisely and in small stages as otherwise the pieces of the vessel may not meet in the middle when the last piece is added.  When the glue is applied the sherds must be held in exact position until the bond is made. Any errors will mean that the next pieces can’t be properly fitted.

The large jar was one of the most obvious near complete vessels within the thick deposit of sherds, however once it was lifted it was clear that it had been broken before it was thrown in and the jar came apart into a number of large pieces. Some of the sherds from one side of the vessel had been spread elsewhere in the deposit and had to be picked out from the spare pieces left over after we had matched as many as possible. We may still be missing a few in the end!

We’ll post more on this vessel once the glue has dried and we can take a proper photograph of the result.